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You could hear the faint sound of each drop of blood landing in the puddle below it, falling off the tips of his fingers. Granted, you could only hear it when he stopped screaming but if you got past the sobbing, there it was. That's what I listened for. The every steady drop, splashing down in time with a metronome. It kept my head on straight whenever I started to get worked up, kept me going whenever I got bored.

There was a lone light bulb hanging over our heads, swinging in sync with the drip. The legs of the chairs cast tiny shadows, little lines continuously dancing around on the cracked concrete floor. I watched them twirl for a few seconds, before looking back at the man in the chair. His flesh was torn, wounds gaping and half closed. Clotted blood was smeared all over him, for every time the blood flow slowed, I wrenched the wound open again. I gave a little smile and reached for the alligator clips. His head started to buck back preemptively, weary of the constant torture he's been exposed to.

You always knew when you were electrocuting them right because there was an instant feedback to show you. Whenever a current was established, that lone light flickered. Whenever it did you could see almost see a faint glow from the eyes of whatever poor bastard was in the chair. This time was no exception. I let it go for a few seconds before pulling back, placing the clips back on the table.

“Again. What was her name?” No response. I had been asking this question for hours, but he had been surprisingly resilient. Much more so than I had expected from someone like him. He was protecting a villain, or so I was told. I didn't care for the reasons. They were usually just political wording so someone could justify to themselves what they were doing. I didn't need a justification.

I picked up the clips again, and his moaning intensified. It was clear he was afraid of the pain, but it wasn't enough. “You shouldn't protect her. She is causing you this grief, and it will keep happening until you give me the answer I'm looking for. No one needs to know it was you, no one needs to find out that you told me, but you cannot keep this up. There isn't much left of you, and if you keep holding back then your heart is going to blow. There are only 3 things in this room, sir. Your life, that light, and the lie. One of those is going to give out before today is over, and I replaced that light bulb yesterday.”

"The Old Man"

On Wellington Street

He is clothed plainly in a olive green suit, with a alabaster colored tie and shirt. His skin is a sickly pale, with deeply colored age spots dotting his sparsely haired scalp. His eyes are a very light pink color, and deep wrinkles run all across his skin. It is hard to not notice his lips. They are black, as are his gums that hold his deeply stained teeth.

It starts as a simple conversation. He refers to you by name, and asks you how you have been. Always be honest with him, and never try to hide the truth. He loves to dissect people, to work his way under their skin and find out what truly causes them pain. If you lie to him, and if you try to deny the pain you are experiencing, then there is no hope for you. Because he will find it out, and he is wrathful for those who make it difficult.

This is a reported encounter with the specter known as The Old Man.

I was waiting around my home, looking forward to a night out with my friends from work. I looked around, trying to decide what I was going to wear. I finally found something tasteful, and made my way to the kitchen. And it was at that moment that I screamed.

He was sitting there, in the dining room, a deep frown on his face. The room itself is covered by dark brown woods, causing the overhead light to make his skin seem to glow. He turned and looked at me, and with a gentle motion he offered the chair adjacent to him. I didn't know what to do. I had heard stories of him since I was little. So I did the only thing I could think of, and took the offered seat, my hands shifting nervously in my lap.

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